Primrose Hill Landscape
signed and dated 1971 to the reverse, further inscribed 'to Lauren / from / Frank'
pencil
22.5 x 26cm

Provenance:
Private Collection, UK
Marlborough Gallery, London
Richard Salmon, London
Private Collection, London
GDW Projects, London

Captured in charcoals, pastels and oils, in all weathers and at all times of day, Primrose Hill Park has not only become one of Auerbach’s most enduring and multifaceted subjects, but has become a character in its own right, appearing in many guises over a period of three decades.

Auerbach's documentation of this iconic parkland began in 1954, marking the commencement of a compelling artistic journey. Driven by an almost compulsive need, he continually returned to Primrose Hill, meticulously recording its ever-changing environment. The outcome of his extensive experimentation and keen observations is an extraordinary body of work, ranging from small sketches to bold canvases. The Primrose Hill works, characterised by their almost sculptural quality, showcase a level of confidence and immediacy that can only be achieved through obsessive familiarity.

Beyond the confines of his canvases, Auerbach's association with Primrose Hill is deeply rooted in his personal and professional life. Having called this neighbourhood home for many decades, the local community, architectural elements and the ebb and flow of daily life have significantly influenced and shaped his artistic vision. Auerbach's commitment to capturing the essence of this place goes beyond a mere formal exercise; it represents a profound personal connection to his immediate surroundings. As he himself expressed, "This part of London is my world. I've been wandering around these streets for so long that I have become attached to them, and as fond of them as people are of their pets."

Condition Report

Not examined out of the frame. Appears to be stuck to mount at each corner. Artist appears to have trimmed the left hand edge very slightly. At the centre of the top edge there is a pinhole, where the work has previously been pinned up in the studio. The pin hole in encircled by a slightly abraded ring caused by the pin. Likewise, around and above the hole is a small area of discolouration (see image four). There is some other slight areas discolouration visible at the top right and both bottom corners, likely caused by the agent used to adhere the corners to the backboard (image 9 and 10). There are two small indentations to the paper support on the left hand edge and, under raking light, some light handling creases visible. Otherwise in overall nice, clean condition.